Ip Man (2008) - Martial Arts, Diplomacy, and Nationalism

 

Ip Man (2008)

Ip Man, directed by Wilson Yip and written by Edmond Wong, is more than just a martial arts film; it's a reflection of China's evolving diplomatic stance. The biographical movie, born from Raymond Wong's idea, delves into the life of Wing Chun master Ip Man, capturing the essence of his journey during the 1930s in Foshan amidst the Sino-Japanese War.

While lacking explosive special effects, the film's straightforward narrative, showcasing the unwavering resistance against foreign forces and collaboration between different martial arts schools, evokes a strong sense of nationalism. From start to finish, it embodies a love for the nation and the party, resonating with the fast-paced tastes of Hong Kong audiences. This sentiment translated to box office success, earning millions in Hong Kong and even more in mainland China.

As we revisit 'Ip Man' and consider recent events, like the arrests under the national security law, it becomes evident that China's diplomatic approach has subtle parallels with the film. The concept of "Wushu, including Confucian philosophy" spoken by Ip Man echoes China's historical preference for harmony over aggression in its armed forces. Despite its ability to quickly unify Taiwan through force, China has displayed restraint and patience in dealing with foreign powers, enduring their taunts and provocations.

However, the story takes a different turn when it comes to verbal confrontations. China's shift toward assertive diplomacy, where any insult to Chinese martial arts is intolerable, mirrors the film's transition from moderation to a more self-assertive stance. This change is especially noticeable in its handling of Hong Kong, where the desire to prove itself has led to confrontational language and actions.

In a world where the Five Eyes has relaxed immigration restrictions after COVID, revoked Hong Kong's special status, sanctioned Hong Kong officials, and restricted the operations of overseas Chinese-owned companies, China's diplomacy seems to be swinging between hard and soft power. As the saying goes, "The value lies in balance, not in competition." Just like in martial arts, true wisdom lies in understanding the essence, and China's diplomatic approach, like water, remains unpredictable.

In a final note, it's intriguing to remember that Bruce Lee, an American, is sometimes considered one of the foreign influences by Chinese authorities. A testament to how complex diplomacy can be in today's interconnected world.